Uncompromisingly French, this charming competitor to the ubiquitous Barbie doll was introduced in 1964
Mily, the French fashion doll, began life far from the stylish boulevards of Paris. Her birthplace was Montbrison, in the Loire region of France, at the venerable Usine de Gégé. Established in 1934 by Germain Giroud, who lent his initials to the name of the company, the factory specialized in toys and plastics. Find out more about l’enterprise Gégé, and more of the company’s dolls, at Poupée-Collector blog.
Following the worldwide success of Mattel’s Barbie doll from her launch in 1959, other manufacturers were keen to create fashion dolls for their own local markets. Mily was perhaps one of the most unique of these interlopers. Her looks could not be further from the haughty features of her American cousin. Consciously appealing to a French aesthetic, her face has a somewhat pouty expression, and with smaller eyes than were common in dolls at the time. Her insouciance was possibly modeled on French pop and film stars of the time, such as Brigitte Bardot and Sylvie Vartan.
Similarly, her wardrobe had a particularly French flair, this was a home-grown product. Mily’s clothing was unlike Barbie’s outfits of the time which, although based on contemporary Parisian couture, were given their own American spin. Pink gingham was a Mily favorite. This archetypal French fabric was favored by Brigitte Bardot (she even used it for her wedding dress), as well as the for the branding of the much-loved, and now departed, French discount chain, Tati.
The doll’s construction also differed from that of most fashion dolls of that era. Although she borrowed the twist-and-turn waist and bend legs from Barbie, Mily had strung arms, which made her poses perhaps a little more expressive than the ‘marching soldier’ arms of other dolls.
As her launch brochure proclaimed, “Chic, Grace, Elegance: The arrival of the lovely Mily has been unanimously welcomed by the press with these enthusiastic words. Your new companion is a wonderful ambassador of French charm and style, and we are convinced that you will love her.” Gégé even had a special offer for new customers, “To get to know her better, on request we would be delighted to send you the book of her thousand and one adventures.”
In an age before the hard-sell and glitzy marketing, the dolls’ new owners were gently encouraged to buy Mily’s outfits. “Here are twelve new suggestions, each more attractive than the last, to dress Mily. She needs a large wardrobe because she has many exciting adventures.” A further book was also available, “These [adventures] are recounted in the second volume of La Vie Merveilleuse de Mily that we will send free of charge on your request.” Presumably this extravagant offer of free books was a successful marketing tactic in the 1960s.
To follow are some vintage publicity shots of the doll and her outfits. They have their own period charm – the use of scale was variable, it’s unlikely that Mily would fit in the car in Simplette, although she could have ridden on the roof. In the early days, her choice of footwear was always the peep-toe high heel mule, regardless of the situation she found herself in, whether on the beach, in the snow, or on a hike. She was nothing if not consistent!
Although the production of Mily dolls has long ceased, Gégé discontinued the doll in 1976, it is still possible to find her on the secondary market. For anyone who would like a contemporary example of Mily, Emily la Parisienne is a perfect replica of this doll – created by Michael Ben. They were sold via the Mamzelles de Paris website, which currently appears to be defunct, but you can sometimes find these Emily dolls online.